Over the Rainbow: Dreams You Dare to Dream Really Do Come True

Someday I’ll wish upon a star and wake up where the clouds are far behind me.
A dark cloud has been looming.  Not only did this month mark the anniversary date of my life-altering accident, but fertility continues to elude me, and a few weeks ago, I discovered a dreadful lump.

To read more about my personal scare with Breast Cancer, you can check out this revealing Facebook post – Sugarluxe Loves Boobs.

Since that time, I’ve had surgery and I’m on the mend.  I am so thankful that we were able to detect this sizable mass early enough to eliminate it before it became unruly.  I feel extremely fortunate.

It’s no use screaming at a time like this! No one will hear you… Help! HELP!
But honestly, even the little stuff adds up.  Like when the unique building that housed my big, fabulous studio was condemned this summer and we were given less than two weeks to completely relocate and try to remain operational. Not a big deal in the grand scheme of things, but unexpected and exhausting.

If you were really great and powerful, you’d keep your promises!
Or the following month, when I realized that the publisher of Rare Magazine, Taylor Perkins, was going to be in willful breach of our contract – essentially stealing money right out of my pocket and making the huge miscalculation that I would sit back and take it.

Little men behind the curtain, bad, mean witches and flying monkeys aside, I try my hardest to stay focused on following my own yellow brick road. 

This is why I love the Wizard of Oz. Like the movie, life itself is an epic journey. And I, like Dorothy, am a dreamer. I believe anything is possible.

Yet, there is no doubt – to overcome your detractors, to survive, to be successful – takes heart, requires brains, and massive amounts of courage.

That’s the beauty of this tale:  You don’t need to be given these traits; you just have to find them within yourself. They’re already there.

—————————————————  70th Anniversary Celebration ————————————————–

And it’s why I so thoroughly enjoyed creating this Sugarluxe interpretation over the last few months.  In the midst of any turmoil, I find refuge in painting a world filled with hope and happy moments.

I’m thrilled to complete and present my piece for the Warner Bros. Anniversary celebration. 2009 marked the 70th Anniversary of this classic movie and as the year draws to a close, I’m excited to unveil my tribute to the wonderful Wizard of Oz.

In fact, over a month ago, while I was still working on the conceptualization of Dorothy and Toto in my signature style, I decided to play a game on Facebook with Sugarluxe Fans.

It was so much fun and Tiffany Bymaster was our big winner.  I’ve since learned more about Tiffany who is an incredible pro-celebrity/movie makeup artist in Los Angeles.  How fitting that she would win the piece dedicated to one of the most beloved movies ever made!

She has also waited patiently to receive the VERY first signed and numbered piece. And now that it’s on the way to her, I finally get to make these giclee artist’s prints available to you, too.

• Title:  Dreamgirl
• Collector’s Edition: Signed, Dated, and Numbered Limited Edition of 70
• Media:  Pigment and Metallic Inks with Watercolor on Archival Museum Grade Fine Art Paper

Can be ordered as ready to frame in black or white mat:
8 ply (very thick) 16 x 20, Beveled Edge, Premium Mat with Acid-Free Mounting Board

If you love the Wizard of Oz like I do, or know someone who does, this vibrant 70th Anniversary Artwork will be sure to please for years to come.  Exclusive to Sugarluxe, you can find out more details at www.sugarluxe.com.

Until next time…I’m off to find some place where there isn’t any trouble. Do you suppose there is such a place?

Rare Magazine’s New Publisher Taylor Perkins Has Issues

ARTIST’S RIGHTS

A contract is a binding legal agreement that is enforceable in a court of law. That is to say, it is an exchange of promises for the breach of which the law will provide a remedy…

This summer, I’ve taken a short sabbatical from the Sugarluxe Blog so that I could dedicate ALL of my creative energy to compose my newest art series.  Perhaps my early work as a corporate trainer and curriculum developer wired my brain to want to facilitate the learning process in others.

The hardest part about teaching from experience, however, is that it often means I must expose my own personal pain to impart the lesson.

So, the question always is – do I reveal the drama with the intent and possibility of helping others?  Or should I keep it tucked away and focus solely on the needs of my company?  When you’ve built a solid reputation, these considerations are always at the forefront of your mind.

Truthfully,  it’s a bit of a dilemma. I’ve built a brand based on the proliferation of sweetness and beauty.  But the reality is  – sometimes – business is just not pretty.

Today, I made that tough decision to put myself on the line.  If it helps just one artist, or one entrepreneur, designer, musician or anyone else that will ever face the challenge of what to do when someone willfully disregards contractual obligations – then it’s worth it to me to share this with you.

INKING THE DEAL

In early January 2009, I was approached by the (former) editor of Rare Magazine, Carrie Crowe.  She wrote to me to inquire about doing a Featured Artist series for their November Fashion Issue.

Despite my affection for the magazine…I had no availability.   I was already working on some new art for 09…but I would in no way have time to do 10 new pieces.

But here’s the thing:  Carrie, a highly respected editor, and her (former) publisher and the Founder of Rare Magazine, Matt Swinney, a much-loved, media savvy entrepreneur – have a way of appealing to people through their genuine passion for their own work and for those whose work they’ve selected to feature.  It’s a very symbiotic thing for businesses when mutually beneficial, long-term relationships evolve into friendships.

After some negotiating of the terms, and Carrie skillfully, yet sweetly convincing me of the many ways in which I could use the issue to support and promote my newest work, we struck a deal.  And despite the reciprocal admiration that has developed over the years…when it comes to Sugarluxe and the rights to my work…I’m all business.

Contracts are a necessity.  Defining expectations – on paper – is a mandatory part of being a professional artist.  Reading agreements, understanding the language, negotiating terms and when necessary, seeking the advice of good counsel, are as much, if not more, the duties that fill my day, as are the creative aspects to my job.

Sound sort of un-fun?  It is.

Yet, after you get through the discomfort of considering all of the what-ifs – should things go south – the anticipation is that each party will meet their obligations as outlined in the contract…and everyone WINS.

I signed my latest contract with Rare Magazine on February 3, 2009.

THE BAD NEWS

On June 15, 2009, I received an email from Carrie.  Both Matt and Carrie were no longer with Rare Magazine.  It was with a heavy heart that I accepted their departure and then went about furiously researching online to find out what went down.

I quickly learned from a local blogger that someone by the name of Taylor Perkins bought out Matt’s share earlier in the year and that Carrie was now a casualty of Taylor’s quest to “bring in fresh blood.”  Spoken like a true ax-man.

So, within an hour of hearing the news, I wrote to introduce myself to Taylor.  100% certain that Carrie handed off all the necessary documentation because she is about the MOST organized woman I know, it was more of an inquiry to find out about the state of Rare.  Would this magazine still be in existence come November 2009?

You see, I’d already invested a month of my time just working out the sketches for the Fashion Issue.  It was not the original theme or direction I had envisioned for my newest art…until I signed that contract. So it became the required foundation upon which this new work would be created.

So I write:

Hi Taylor,

I hope your Monday is off to a great start.

I’m sure you are juggling so many things right now, but I just wanted to check in with you to see how things are going since learning of Carrie’s departure.

Sugarluxe is slated for your November issue…therefore, I thought it imperative that I find out if everything is still going ahead as planned.  Is there ANY chance that Rare won’t be around come November – or for that matter, September 1st when my work is due to you?

If you could please confirm that everything is moving forward as planned, I would be MOST appreciative.  I am very happy to complete my assignment for Rare.  I just needed to touch base for clarification.

Thank you so much and I look forward to hearing back from you.

Chandra

An hour later, Taylor responds:

Yes, everything is fine with Rare. Nothing is changing, we’re just getting some new blood in the office over here. I bought Matt out, and with changes comes changes. It’s going to be exciting to see, we have a lot of great things planned for the magazine and the events that we do.

Um …yeah, okay.  That sounded as direct and coherent as a Gary Busey quote – “Nothing changes like changes, because nothing changes but the changes”.

As the beginning of August drew near (T minus 30 days and counting until my deadline) I thought it time Taylor and I set up a date to review the work. This way, the designer at the magazine could get an idea of the look/feel and color palette of my artwork in preparation for the layout.   I wrote to Taylor on August, 1, 2009.  The email went completely unanswered.  So on Friday, August 14th, I tried reaching him by phone.

A sales rep answered, said Taylor wasn’t available to talk, told me there was a new editor in place and someone would get back to me that afternoon.

The following Monday I receive this much more polished and professional email from the new Editor, Caitlin Ryan:

Hi Chandra,

It’s great to ‘meet’ you over email!  I’ve heard so many wonderful things about you from the staff now at Rare.

Meredith sent me a note saying that you had called touching base regarding November Fashion art.  That there had been an agreement put in place previously.  When I came in (just last week!), I combed through any documents I could find and I did not see anything like this, so I went ahead and assigned November in an effort to get ahead of the game.  I am SO sorry, Chandra.  I understand that you felt a crunch for time, so perhaps this could serve as a bit of a stress reliever.  I would definitely love to feature you, however.  Just have to check and see if you were featured in last year’s fashion issue.

Again, I really apologize.  We were left with very little guidance as far as what was promised to people, and I’m doing my absolute best to do right by all of our contributors.  I know, though, that this wont come without any disappointments along the way.  Please let me know if there is anything I can do for you!

My best,
Caitlin

Despite the fact that I didn’t like the obvious direction this was heading (and at this point, I’d worked 16-18 hour days for the last 30 days straight in order to get all this work done, so was hardly in the mood to be placated) I still respected Caitlin’s diplomacy.

Hi Caitlin!

Thank you for your quick reply. You are so sweet!!

I read your email, but am forwarding my reply on an old email exchange with Taylor on June 15th. This is where I introduced to Taylor that I had a contract with Rare and was slated for your November issue – just in case there were any questions.  So, he was made aware as soon as word was out that Carrie had left her position.

My contract was signed with Rare Magazine on 2.03.09.

Yes, more time would have been great and I truly appreciate your offer.  However, so that I would not be in breach of our contract when I did not hear back from Taylor asking for an extension to complete (sent on 8.01.09 with no response back from Taylor)…I have worked around the clock to finish this series for your Nov issue.

In addition, it has already been promoted to my fan/customer base, so the time, energy and cost (in addition to our agreement in place since February) means I need to go ahead and do November as planned.

I’m sure any artist that you recently selected will understand when they realize you have a contract in place already.

Please let me know details of when we need to go to print and I look forward to receiving the interview questions…

Thanks so much!!
Chandra

And then another 7 days go by with no response from anyone at Rare.

Monday, August 24th, I’m asked to send in my artwork for review.

At first, this seems insignificant.  One might think…yay, it’s settled.  We’re moving ahead without things getting messy.  But never, ever send completed work to someone who hasn’t confirmed they are going to honor their contractual obligations.

Since they are local, I asked for a face to face meeting.

Hi Caitlin,

It’s nice to hear back from you.  I was concerned about not receiving a return response after my email last week.  So, thank you.

Given the fact that there has been some misunderstanding or miscommunication during the transition between owners at Rare, I’d greatly appreciate the opportunity to come meet with you just to have everything squared away.

I’m happy to bring copies/prints of my artwork as all are not all scanned/digitized yet.

When are you available this week?  I just returned to town from a funeral, so getting caught up and can’t do it tomorrow.  But Wednesday afternoon works for me.  What about you?

Thank you,
Chandra

The meeting was then pushed to Thursday…enough time for me to consult my advisors and prepare for whatever was ahead.  I elected to not take anyone into this meeting with me because I don’t like to get all top-heavy when it could just be a simple, friendly meeting of the minds.  The decision to go alone is probably my biggest regret.

Three on one – for the next two hours, I faced a barrage of pointless interruptions from Taylor and although I tried to joke and lighten the air, it was heavy with disdain. Particularly when he started to talk about his former partners and associates, even recent cover artists.  In fact, the things he shared were so out of line, inappropriate and unprofessional…I was shocked.

Keep in mind, this is all while he lavished upon me proclamations of love and adoration for my work.  Never let your stroked ego get in the way of seeing someone’s true colors.

I know so many artists in this town.  In fact, I know so many artists around the world.  To insult anyone in my profession is an insult to me.

I returned to the studio.  Disgusted.

By the end of the day on Friday, I expected to have confirmation that we were indeed on track.  It was less than three days from the drop dead deadline and nothing.

I write to the entire team:

Hey guys,

Thanks for your time yesterday.

To cut to the chase, I’m pretty much done killing myself on this project – so I need an answer today.  Are you going to honor the legal agreement I have with Rare Magazine?  Regardless of the change in ownership, the contract is still valid.

What is your decision?

Thank you,
Chandra

Knowing that the law is on my side, I remained hopeful that he would do the right thing.

Four hours later,  Taylor wrote back.  To summarize:

He tried to appease me with an offer for a small editorial piece and to host my art opening in Austin (please read: a thinly veiled attempt to make more money off of my work while giving me nothing provided for in our contract).  Not the cover.  Not the featured artist with 8 interior sections and the two page picture/interview profile as the agreement stipulates…

A BAD DECISION

But here’s what absolutely bothered me the most…he thinks I’m stupid.

He has the nerve to try to appear as if he’s an artist’s advocate when he writes:

The direction of the magazine is changing drastically under the new management and ownership. One of them is to not repeat a cover artist that we have already showcased, as we feel there are so many amazing artists out there that deserve a shot.

Here are THREE problems with that argument -

First, we have a contract so the point that I have been featured in the past (Dec. 2007) is irrelevant.  Nice try, though.

Second, Sugarluxe was not showcased like many winners after winning the top spot in Reader’s Poll in June 2009 when Sugarluxe was voted Best Artist (this was a fair decision on Carrie’s part due to the fact that in November, I would have a huge presence in the magazine with the Featured Artist spot and cover).

Third, the way Taylor responded in this situation demonstrates his true motives and ethics in regards to helping artists.  He can SAY whatever he wants…but actions are everything.

Popular artists or yet unproven, you start by respecting contractual obligations with ALL artists.

He was in breach of the contract.  And contracts are in place to protect people.

So it all boils down to this…

Publicity is nice.  It’s great to be recognized and I’ve worked very hard to complete my assignment for Rare Magazine.  I’m proud of the work and I’m so thankful to Carrie and Matt who provided the direction and inspiration behind the new series.

But every situation requires some strategic analysis and if you’re anything like me, you work to minimize the brain damage.

The appropriate thing here was to disengage and to do so quickly. I will not compromise my values for a little bit of press. I will not work with someone whose true motives are questionable at best.

Dear Taylor:

Your:
1. Reputation of not delivering on your promises (think about your latest events if you’re uncertain as to my reference)

2. Lack of professionalism (by speaking so negatively and out of turn about your former associates and cover artists)

3. Poor decision making (not honoring a clearly legal and binding contract)

have resulted in my immediate need to retract all permissions or rights of usage to any of my artwork/imagery.

I will no longer take the risk of associating my brand with you.

This does not in any way make you less liable for your breach and only galvanizes my resolve to seek every remedy available to me/Sugarluxe for your actions.

The magazine, according to Taylor, has been “hemorrhaging money” and you just have to thumb through the last issue to see how many advertisers have jumped ship. In a time when the print publication industry is suffering as a whole, it’s disheartening to see someone make such a selfish, costly decision.

So much so, that part of me is tempted to dismiss him as some silly trust fund kid who just doesn’t know better.

THE FACTS

But Taylor Perkins is not dumb; he knows exactly what he’s doing. He took a calculated risk.

History seems to dictate that most artists don’t have the means, the resources, or the fortitude to put up a fight. And he assumed because I am known as being a sweet, compassionate person to work with, that I was probably a total push over, too.  Guess again Taylor.

At the end of the day – the damages are demonstrable. The documentation and law both work in my favor.

His actions present a perfect case study for creatives everywhere.  It may seem like a RARE thing to have happen, but regrettably, the practice of taking advantage of artists, writers, musicians, photographers, etc. with the assumption that they don’t have much business savvy is rampant – and it is WRONG.

So, while I determine what to do next, I need a little breather from this stress and I will simply take solace in knowing that once in awhile, and perhaps at this very moment, the pen really can be mightier than the sword.